The limits of performance in the French Romantic theatre

The limits of performance in the French Romantic theatreThis volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. It breaks new ground in nineteenth century theatre scholarship while proposing a fresh direction in the study of text and performance.

'Hider’s text provides a fulsome understanding of metadata standards

resistance and public opinion in Germany

'Collaboration between researchers across space is clearly increasing

including product

and Ottilie Patterson

technology

Lolly was twenty-eight

and Anabaptist charity in early modern Europe

Money Talks explores the ways the concepts of money and capital are understood and talked about by a range of people

The Sound of History Dreaming the Future (1991)

The first account in English of the entire

this book analyses Magnet's many productions and presents a rich compendium of their work