Alain Resnais

Alain ResnaisAlain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the

A counter-touristic guide to one of the world’s fastest developing megacities

which are now allowing individuals from very different disciplines to work collaboratively to develop new projects

Citizen Voices explores the ways in which citizen voices on science and environmental issues are articulated

science fiction and horror

and how training methods prepare students for employment

People and Places of Nature and Culture affirms the importance of a sustainable relationship between nature and culture

Using Art as Research in Learning and Teaching explores various multidisciplinary visual and performing art forms

The goal of publishing this journal in English is to enable in-depth exchanges about film policy

observations on the trilogy’s global audience

whose compassion and devotion to public standards should serve as a model for the politicians of our day

accumulations and assemblage as possibilities for spatial reflection

Professors Andre Geim and Kostya Novosolev