Andrew Cranston: Sounding

Andrew Cranston: SoundingOften depicting narrative vignettes drawn from his own personal history, or literary and anecdotal sources, Andrew Cranstons work is consistently concerned with narrative and storytelling. Incorporating varnish and collage onto his paintings, Cranston enacts a layered referentiality with an often surreal, deadpan sense of humour. Working mostly as a painter, Cranston is interested in lithography for its proximity to drawing. The crayons, used to draw

having been turned into a snake-headed 'gorgon' after being the victim of Poseidon's assault in Athena's temple

Paper Size: 42 x 29

speculation and playfulness

Words - David Bellingham

printmaker and sculptor whose work is often related to the history and culture of the Scottish Highlands with particular reference to maritime themes

metalwork and 3D-printing

"don't know shit about anything and hate anybody who does

The main subject of that period was surreal vision of the Christopher Columbus exploration and colonisation era of the Americas

Culturing a Landscape (investigating particulars of landscape through its cultural underpinning)

Guyana and when he was 17 studied drawing and painting at Gray's School of Art

developed from a print Delaine used for the New Aberdeen Bestiary exhibition

Le Bas' Medusa often refers visually to Carravagio's famous self portrait as Medusa